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architectural portfolio
Portfolio:

On display are selected works, ranging from the schematic, to documentation (hand drafted and CAD), computer aided design, three dimensional work (physical and digital), presentation pieces and furniture design and manufacture.

It should be noted that all featured architectural works are University based schemes, and have not been constructed.


Australian Consulate - Schematic design & 3D exploration project (2000)
Australian Consulate to be sited in Valparaiso, Chile. This project explored the notions of home and the integration of cultures. Having only a slender piece of the site available for the building footprint, this scheme offered the challenge of dealing with an awkward site, and offered a significant landscape architecture component, which required extensive analysis and resolution. This scheme was worked to a completed design development stage, and then explored through a comprehensive three dimensional study. A secure environment was sought for various consulate departments, and diplomatic accommodation, however, a light, simple aesthetic was still achieved. This is highlighted with an extensive tilted glass curtain wall on the southern facade, offering a connection to the landscaped consulate grounds, and a series of three glass light wells, running through the full height of the building. This was a group project in conjunction with Adam Dyson, Ling Kang and Murry Brittan.

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Le Cordon Bleu - Contract documentation project (2001)
International cooking school, Le Cordon Bleu', combining commercial restaurant and bar facilities to be sited in Adelaide, South Australia. This project asked for a comprehensive design, with a high degree of resolution, and worked through to a contract documentation stage (hand drafted). A restrictive CBD site was selected, adding to the challenge of resolving and incorporating a multi use building, combining a professional cooking school, on site accommodation and commercial facilities. Concrete structure was selected, with the feature of the facade highlighted through thin twisting copper strips, screening the glass encased restaurant and bar facilities from the outside, delivering an intimate, human scale. The feature internal element is a spiralling ramp servicing the cooking school facilities, offering a view through ceiling windows into the commercial kitchen below. This was a group project in conjunction with Brett Julian and Claire Watkins.

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Residential - Contract documentation project (2002)
Four person residence to be part of a communal site at Willunga, South Australia. Rather than exploring the typical 'house' as we have come to know it, this project was directed at finding alternative means to define a 'home'. The result is a residence to house two couples, each with their own 'home' within the single structure, however the two sperate homes can be converted to a single large 'house' at the inhabitants discretion. This project required a comprehensive design with complete resolution ultimately developing into contract documentation (CAD drafted). Construction chosen was timber framed and rammed earth, with the aim of sourcing materials locally. A communal site offered the major challenge of this project which resulted in, a strong landscape design component, and the ensuing notions of private vs. public on such a site.

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Port Adelaide Shopping Complex - Completed Design Development (2003)
Major shopping complex, inclusive of six department stores/supermarkets, 200 specialty stores, restaurant and cinema, to be sited at historic Port Adelaide, South Australia. The site offered the unique advantage of being on a disused wharf, allowing for river views in an area cited for strong commercial and residential development. A spiraling glass encased ramp is the centrepiece of the scheme, linking all areas of the complex, including a number of public rooftop areas. Contrary to the cliche' shopping complex designs we often see, a high degree of porosity was sought, with the end result being a bleeding effect, throughout the structure, and encompassing the site, often questioning the notion of what is deemed inside and out. Landscape design was a major component in addressing the waterfront, and the wharf extending to the major traffic and pedestrian thoroughfare of Port Adelaide, resulting in a promenade, market area and stepped levels softening the transition between structure and waterline.

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Furniture Design and Manufacture - Display Case (2003)
Similar to how one frames a precious picture, this furniture piece explores that notion, on a larger scale, resulting in a piece which frames a select few precious items. A plinth allows for the display and storage of a small collection, or special items which one may wish to display. The outer structure serves as the 'frame', with a routed groove eluding to the inner display. Materials chosen were 16mm pre-laminated medium density fibreboard, with contrasting colours selected, architectural white and lemontree. Only two jointing systems have been implemented, routed butt joints for the inner structure, and mitre joints for the outer frame assembly, which results in a clean, simple yet effective piece. Special thanks to Les McIntosh and Ian Bonney for their experience and assistance in the manufacturing process.

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Landmark Tower - Completed Design Development (2003)
The nature of this project was to answer an Architectural competition brief for the Landmark Tower / U2 Studio in a mixed development at Britain Quay, Dublin, Ireland. A urban strategy was offered, addressing the re-development of the entire Dublin Dockland region, and in turn using this strategy to resolve an architectural statement at the tip of the development. Deriving from the text "Programming the Urban Surface", Alex Wall and bleeding these ideas with "The Capsular City", Lieven de Cauter, the U2 tower looks to involve these ideas through developing the 'capsular'. Dissecting the notion of the 'generic city' across the peninsular, in what is almost a physical contradiction, the tower embraces the literal capsule, through the built form. Challenging the notion of 'capsule architecture', the tower looks to exploit the physical capsules in their program, and cross programming, folding diverse programs together within the capsular environment. Folding and thickening are two key principals, which have been implemented across the site, and the tower, to create a dynamic, smooth geology, and combined with the materiality of the tower, play on the 'spectacle' within the city. Gradually applied across the site, capitulating at the tower, the urban strategy looks to combine the flow of people, breaking down traditional zone separations across the site, in order to develop a more fluid and interactive layering of planes and spaces.

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